North American debut of the Martin Taylor Maestro Guitar

Wed, 02/29/2012 - 7:24pm
Written by admin

Last month, Pearless Guitars proudly announced the release of two signature Martin Taylor guitars, appropriately named the Maestro and the Virtuoso.  Shortly after, native Georgian guitarist Shaun Hopper purchased a signature Martin Taylor Maestro, making it the first one ever sold in North America. 

Shaun recalls the first encounter with his new Peerless Maestro this way: 

"Martin Taylor is a fantastic fingerstyle jazz guitar player and I love his playing.  A gentleman in the [RedZone] guitar center...said they've got these guitars called Peerless.  I was like, 'Dude, I've been looking for one of those forever! There's no dealers in the States.'  He goes...'If you want the Martin Taylor model it's right there on the wall.'

Great Listening: Harmonica Master Howard Levy on WGN Radio

Tue, 02/28/2012 - 5:11pm
Written by AW

ArtistWorks harmonica teacher (and recent Grammy Award winner) Howard Levy recently sat down with Bill Moller on WGN Radio to share the story behind his original Grammy-winning composition "Life in Eleven".  Howard is introduced as "one of the greatest performers on one of the smallest instruments there is" - which, if you've ever heard him play harmonica, is a pretty accurate way of describing the man. 

Why Does Qbert Scratch Reverse?

Thu, 05/12/2011 - 7:00am
Written by ArtistWorks_Help

I’m often asked by students: why does Qbert scratch in reverse? What they mean is, why is the crossfader in the reverse setting (aka hamster style). Before I get into that, let me break down a few things. Traditionally, DJs use two turntables with a mixer in the middle. The crossfader on the mixer cuts the sound in and out from the right and left turntable by sliding the fader to the right or left.  Scratching (or ‘skratching’ as we like to say at QSU) is the manipulation of a sound on a turntable, pushing the record back and forth in a percussive way to create a new sound. The crossfader is used to cut the sound in and out while manipulating the record, and there’s a whole vocabulary and language for the different scratches and combos (for those interested in learning to speak the skratch language, join QSU!).  

In the ‘regular’ setting, when the crossfader is on the left you hear what’s playing on the left turntable. When the crossfader’s on the right, you hear the right turntable. When it’s in the middle, you hear both turntables. Simply put, left=left and right=right. On the reverse setting, it’s the exact opposite (left=right and right=left).